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[ Kosrano - Lo - Hækios ] - Music
in the begining ... there are 8 notes ... 0 9 0 5 9 0 F X ...
These words/phrases will be used when referring to nouns or adjectives that is related to music.
EDO Approach - Astralica 16 EDO
Fundamental Frequency
​
in Human Music Theory, we use A = 440 Hz,
in Astralica, we use 0x0 = 256 osc / Kona Seconds
Scale
​
by borrowing the 12 EDO Major scale from Humans
Astralica also has 2 sets of 7 notes (plus 1 more root note, an octave higher)
​
Standard Astralica 16 EDO Major Scale
0(no) , 3(na) , 5(li) , 7(la) , 9(di) , C(to) , F(ta) , X(ra)
​​​
Alternative Astralica 16 EDO Major Scale
0(no) , 3(na) , 5(li) , 6(læ) , 9(di) , C(to) , E(tæ) , X(ra)
<note Index>
<octave division>
[ Hækios - Taxi - KosraNi - Kiamasæni - Kaxi - Klari - <a>Ru<b>]
[ Hæ - Ta - Koi - Mani - KaKla - <a>Ru<b> ]
[ Hæ - Ta - MaKla - <a>Ru<b>]
[ Hæ - Ta - <a>Ru<b> ]
the Ath note in B EDO
Factor Multiplication Approach - Lattice
LampLight, one of the well-known Microtonal Musician & a Conlanger uses a lattice (Chalaxatta) to describe pitches in Shasavic Music Theory.
In this case, we can also use "Warak" to achieve the same effect.
Warak
"Warak" belongs to the Emergence Type (Vol II), "Warak" means "grid" here
Constraint 1
In Shasavic Music, Chalaxatta is a square grid.
However, Warak can be triangular, square, or hexagonal.
for now let's limit ourselves to the square Warak.
​
Constraint 2
for this example, let's define the X-axis is 1.5, and the Y-axis is 1.25
or in otherwords,
let "Hæta - Wa - TaNi" = "Hæta - LiRuNi"
and "Hæta - Wa - RaNi" = "Hæta - NaRuNi"
(of course we can define it however we want)
​
In this case, to name a note, we will have :
"Hæta - Warak - <CoordX> - Ru - <CoordY>"
for reffernce, the /Shasavic Chalaxatta/ pronunciation is provided
​
​
[ Hæta - Warak - Ko ]
[ Hæta - Wa - Ko ]
/Ah/
[ Hæta - Warak - NiRuNo ]
[ Hæta - Wa - NiRuNo ]
/Chy/
[ Hæta - Warak - NoRuNi ]
[ Hæta - Wa - NoRuNi ]
/Ly/
[ Hæta - Wa - NiRuNi ]
[ Hæta - Wa - NiRuNi ]
/ChyLi/
This also means that any Warak Mechanisms can be used here as well,
Zoiga can be used and Fina can be used as well.
This means that naming chords in Astralica-Shasavic dialect is more systematic
A Major Chord for the 15f note
[ Hæta - Wa - NiRuNi - Fiæ Tæ Fio Ra ]
/Chyli Ta/
